How can you create a proxy media workflow in Final Cut Pro?

Creating a proxy media workflow in Final Cut Pro involves enabling the Proxy Workflow setting during the import process. This allows the software to automatically generate lower resolution proxy files at the same time it imports the high-resolution media. These proxy files are designed for editing and help enhance performance, particularly when working with high-resolution projects or when the editing system has limited processing power.

By using proxies, editors can work more efficiently without compromising the quality of the final export because the original high-resolution files can still be utilized for the final render. This approach is especially beneficial for large files or complex projects, as it minimizes lag and makes the editing process smoother.

The other provided options do not correctly describe how to set up a proxy media workflow. Compressing files after editing does not facilitate immediate editing advantages that proxies have during the editing phase. Changing the resolution of the project affects playback and output rather than assisting in workflow efficiency during editing. Exporting as a lower quality file may alter the final output but does not support a smooth editing process.